Love Renaissance Label Full Francesco Petrarca
The ’90s had a reputation for pumping out love-making R&B anthems, but by the. When Love Renaissance launched in 2012, the record label’s mission was simple: make it cool to be in love again. Petrarch, Italian in full Francesco Petrarca, (born July 20, 1304, Arezzo, Tuscany Italydied July 18/19, 1374, Arqu&224 , near Padua, Carrara), Italian scholar, poet, and humanist whose poems addressed to Laura, an idealized beloved, contributed to the Renaissance flowering of lyric poetry.Petrarch’s inquiring mind and love of Classical authors led him to travel, visiting men of learning.
Love Renaissance Label How To Manage Artists
Under the motto 'Love is the new Gangster they are charting new territory on how to manage artists by eg introducing a mental health care program for artists. We wanted to have a venue, but also make people think differently about Birkenhead.”Atlanta R’n’B record label Love Renaissance (LVRN) sets out to shake up the music industry. “This town was once grand and prosperous, and it needn’t be forgotten about and viewed as a pauper to Liverpool. “It’s tongue in cheek, but we mean what we say,” he says.
A classic full A-line dress, Renaissance has a signature Suzanne Neville long. Serving as a record label, full-service management team, and a growing multi-media company founded in 2012 by five first-generation immigrants with roots in Ghana, Nigeria, Trinidad, and Jamaica. Recent projects such as an immersive audio experience by US avant-garde musician Kali Malone in a 153-year-old hydraulic tower (commissioned by Abandon Normal Devices), and an interactive walking tour – featuring new pieces by Wirral musicians including Half Man Half Biscuit and OMD, inspired by local landmarks – are celebrating the town’s former grandeur.Love Renaissance (LVRN) is an Atlanta-based label which sits at the forefront of fostering cultural bonds for the next generation of hip-hop and R&B. Now, however, a growing cluster of organisations known informally as the Leftbank Collective hope to provide the infrastructure for a resurgent creative community. It was once known as the “New York of Europe” thanks to its shipbuilding, but deindustrialisation and waves of austerity have created significant decline. Is an all-purpose media company specializing in artist management, music production, innovative marketing and.Birkenhead is barely a mile from Liverpool, situated on the opposite bank of the River Mersey.
Liverpool was where all the venues and promoters were. “But it didn’t feel like somewhere with opportunities. Photograph: WENN Rights Ltd/Alamy“There were always pockets of stuff going on in pubs,” says Louisa Roach of the band She Drew the Gun of her teenage years in Birkenhead.
The past six years have seen Liverpool venues such as the Kazimier, Sound, the Zanzibar and MelloMello all closed or demolished to make way for flats and student bars, and the city was recently stripped of its Unesco world heritage status thanks to clumsy development projects. “We’ve seen it done badly on our doorstep in Liverpool,” says Torpey. Spaces like Future Yard feel like the start of something good, so I just hope the council has the vision to look after them.”Future Yard are well aware of the downsides of redevelopment. The high street is a ghost town after years of austerity, but there’s a lot of potential and existing beauty to build on.
“I’ve worked on development programmes in the past and they’ve always ended in three months,” says Future Yard’s Cath Hurley. Photograph: Andrew ShawFuture Yard’s Propellor scheme is also linking young people with experienced music industry mentors to establish long-term careers. At Future Yard, too, “we want local people to feel that they can have a cup of tea and tell us what they need, and our programming can react,” says Torpey.A workshop at Convenience Gallery.
Make offered to accept creative skills in lieu of rent the owners of Convenience Gallery worked second jobs. Nevertheless, they weathered the storm. A report by Make, which offers cheap space for artists and small businesses, said that 85% of its partners were ineligible for government support, funding that would have totalled £450,000 for its Birkenhead network. Future Yard had only just announced its first gigs before closing again.
“Why can’t we have that aim? Perhaps there’s a group of kids sat somewhere in Birkenhead, thinking: ‘Let’s form a band so we can play Future Yard.’ The most important regeneration we can be involved in is in people’s heads.”This article was updated on Thursday 5 August to clarify that Kali Malone’s installation was commissioned by Abandon Normal Devices. “To think about what Future Yard could be to people.” They hope, in time, for the venue itself to be as much of a draw as the bands they book, giving the example of OMD’s Andy McCluskey, who has said he formed the synth-pop band in the late 70s just to play at Liverpool venue Eric’s.
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